Own the Video, the Player, and the Email Address It Collects

Last month's Video Channels turned a set of videos into one branded page with one embed code. The question that follows every video demo since then has been the same one: if the patient education library moves off a consumer video platform, what does marketing lose?

The two familiar options both cost you something. Put the library on a consumer video platform and a third party sees which of your patients watched which video. Serve the files off your own server and you get a file that plays, without the player, the captions, the embed settings, or the reporting that make video worth producing. Ours Privacy is the third option, and with this release the list of what it covers is the list marketing works from: hosting, a player you can place on any page on your own domain, a library page, a lightbox, an email address collected inside the player, calls to action, analytics, and the whole library under the control of your own code. Here's what's new:

Put the Video Where the Moment Is

A video sitting in a column of body copy competes with the copy around it. Set the embed to open in a lightbox instead and the player launches over the page in a focused overlay, with the page dimmed behind it. The overlay closes on the close button, a click outside it, or the Escape key, and closing it returns keyboard focus to whatever the visitor was on before.

What's new:

• Four ways to launch it. A thumbnail someone clicks, a text link with your own wording, time on the page, or a URL parameter.

• Time on page, once. Set a delay between one and three hundred seconds. The lightbox opens once per browser session rather than every time someone navigates back to the page.

• A link that opens the video. With the URL parameter trigger, a link in an email or a text message opens the page with the video already playing. The video lives in the page, and the link decides whether it opens.

• Sound when a person asked for it. A lightbox launched by a click can request audio, because the visitor's own action allows it. A lightbox that opens on a timer or from a URL opens muted, which is what browsers permit and what a visitor expects.

Configure a video once and every future embed of it starts from those settings. Display mode, aspect ratio, player color, autoplay, controls, loop, the launch trigger, the link text, and the delay all save to the video, so the person building next quarter's landing page inherits the choices you made instead of starting from the defaults. Embed configuration and embedding videos.

Turn a View Into an Email Address

Someone who chose to watch three minutes about a knee replacement has already decided you are worth listening to. The form asking them to hear more sits below the video, after the moment has passed. Put the form inside the player instead.

What it does:

• One field, one moment. An email address, with your own offer text and your own button wording. One form per embed, placed before playback starts, at the halfway point, or when the video ends.

• Your choice whether it blocks. Locked, the form has to be answered before playback continues. Unlocked, a "Continue without sharing" control lets someone past it.

• A call to action instead, if a page is the next step. The same slot can hold a headline, a button, and a link rather than a form, for a video whose next step is a scheduling page.

• Reporting on both halves. Video Analytics counts how often the ask was displayed and how often it was answered, so an ask nobody responds to shows up as a number rather than a hunch.

A privacy officer will ask where the address goes before anyone asks how the form looks, so here is the answer. A submitted address enters the platform as a standard form submission event through the Web SDK already on your page. It follows the same allowed-events rules, the same Data Governance configuration, and the same field mappings as every other event on your site. It reaches a destination only if you have allowed that event and mapped it there. The address rides as a visitor property, the same path as any other identifier the SDK carries. No separate pipeline and no exception carved out for video, and the sameness is the design: a new collection point should not come with new rules to learn or new places for data to escape.

Two limits to know before you build a campaign on the form. The interaction settings are written into the embed snippet you copy rather than saved to the video, so changing what a live page asks means copying the snippet again and replacing it. And the form attaches to a standalone video embed rather than a Channel, so a library page does not carry one.

Run the Library From Your Own Code, or Your Own Agent

Videos are on the Platform API now, which puts the library on the same footing as the rest of the platform. List, create, update, and delete videos. Read and replace a transcript. Pull analytics for the whole account or for a single video. Creating a video hands back an upload target you send the file to, then you poll for the processing state, so an upload is a few calls rather than a screen someone has to sit in front of.

Transcript replacement takes WebVTT or SubRip and normalizes to WebVTT. Correcting a misheard drug name across forty videos becomes a script you run instead of an afternoon someone loses.

Anything that can call an HTTP endpoint can drive your library: a step in the pipeline your video vendor already runs, a job in your own build, or an agent you hand the task to. Videos produced somewhere else land in Ours Privacy, get their captions fixed, and report their numbers back without a person uploading a single file by hand. Videos API docs.

What's Next

Playback inside a Channel still reports per video, so Video Analytics lists the videos individually rather than the Channel as a unit. Channel-level reporting is the next piece of video work. Extending the in-player ask to Channels sits behind it.

If your patient education library is on a consumer video platform and you would rather it was on your own domain, book a demo and we will walk through what moving it looks like.